Pufnstuf
“A musical adventure of Double-Stuffed proportions!”
Premium Crap. CrapScore 73, rated by 1 admin.
Higher CrapScores mean more entertainingly bad. How we score movies.
A boy and his talking flute reach an island where felt creatures, witches and musical numbers compete for attention. This deliberately fantastical children's musical goes gloriously overboard. The handmade costumes are half the pleasure, and there is more heart under the foam than the premise suggests.
Nominated by @flabbergasted_jones
The club’s verdict
- Acting
- 7/10
- Plot
- 8.5/10
- Effects
- 6.5/10
- Dialogue
- 6.5/10
- Rewatchability
- 8/10
“The flute talks. The island sings. The felt budget is exhausted.”
@flabbergasted_jones, scored it 73
Synopsis and movie facts
Jimmy (Jack Wild) ventures to Living Island with his magical, talking flute, Freddy. Once there, he befriends many of the island's inhabitants, but the evil Witchiepoo (Billie Hayes) is determined to steal Freddy the flute away from the boy to impress the visiting Witches' Council and win the Witch of the Year Award.
- Released
- 1970
- Directed by
- Hollingsworth Morse
- Running time
- 94 min
Starring
- Jack Wild as Jimmy
- Billie Hayes as Witchiepoo
- Martha Raye as Boss Witch
- Cass Elliot as Witch Hazel (as Mama Cass)
- Billy Barty as Googy Gopher / Orville Pelican
- Allan Melvin as H. R. Pufnstuf / Henrich Rat / Living Island Boat / Orville Pelican / Polka-Dotted Horse / Stupid Bat / West Wind (voice) (as Al Melvin)
- Walker Edmiston as Dr. Blinky / Ludicrous Lion / Seymore Spider / Various (voice)
- Don Messick as Freddy the Flute / Googy Gopher / Orson Vulture (voice)
Research behind this pick
Researched . Explore the film references and reviews below.
- Film reference · themoviedb.org
TMDB identity and credits retrieved on 2026-11-10: Pufnstuf (1970), directed by Hollingsworth Morse. The importer rechecks identity, poster, synopsis, release date, runtime, genres and cast against live metadata.
- Review · millionmonkeytheater.com
The review celebrates the production's aggressive absurdity and finds sincere emotional force in its fantastical musical numbers. Full review text consulted on 2026-11-10.
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